IN RETROSPECT: The Weepies – Hideaway

The Weepies are currently in the middle of a 10-year anniversary tour for their album Hideaway (2008), so I thought it would be apt to revisit one of the folk-pop duo’s best known projects and share some of my favourite picks from it!

Weepies Steve Tannen and Deb Talan1
Photo credit: The Weepies

If you’re not familiar with The Weepies, they are an American band comprised of husband and wife musicians (how awesome!) Steve Tannen and Deb Talan. Yes, their names were already kismetically like that before they met. Even spookier is that the two were fans of each other’s music – again, before they’d even met. That obviously made it easier for them to eventually meet, which was at one of Tannen’s shows back in the early 2000s. They decided to join forces and if we fast-forward to today, they’ve released five studio albums (2015’s Sirens, the latest), got three kids, and as I mentioned before are now on this tour to celebrate 10 years since the release of Hideaway… I’m almost certain you’ve probably heard them on one of your favourite TV shows.

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Lauren Froderman choreographs for “Samson” by Regina Spektor

If you’ve never heard “Samson” by Regina Spektor before (even if you have) you have the absolute privilege of experiencing the eloquently and ridiculously sweet love song in this beautiful way.

Originally from Arizona and now based in LA, American dancer and choreographer Lauren Froderman (also winner of season seven’s So You Think You Can Dance) has been busy writing and producing concept videos of her choreography along to some of her favourite songs. The first uploaded to her YouTube channel was a fun, slippery sequence to “Soap” by Melanie Martinez, and today she released her interpretation of one of Regina Spektor’s most beloved and well-known pieces.

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LIVE REVIEW: Julia Turner “Fifteen Times the Moon” Album Launch

Last Friday I attended an important gig for a good musician friend of mine. Jazz, blues singer-songwriter Julia Turner, whose new album Fifteen Times the Moon is set for release this year, hosted a pre-release album launch at the Bristol Folk House.

The show took place downstairs past the cafe in the medium-sized hall, which had a surprisingly really intimate feel. People sat in groups around tables or on a line of chairs off to the side of the stage. Lighting was dim (obviously, that would be pretty harsh to make people eat and drink in the dark now, wouldn’t it), which added to the cosiness – I felt as though I were in a living room. A big one, of course.

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